“‘I needed to look at the body as body, movement as movement,’ he says, ‘not as defined by someone else’s aesthetic.’ The piece was developed from everyday actions: there are no formal hand gestures, no folk steps.”
“‘I needed to look at the body as body, movement as movement,’ he says, ‘not as defined by someone else’s aesthetic.’ The piece was developed from everyday actions: there are no formal hand gestures, no folk steps.”