Boulez believed that it was up to him and his generation of postwar avant-gardists to unleash the musical revolution that Schoenberg’s 12-tone system implied. “SCHOENBERG IS DEAD,” he triumphantly repeated at the end.
Boulez believed that it was up to him and his generation of postwar avant-gardists to unleash the musical revolution that Schoenberg’s 12-tone system implied. “SCHOENBERG IS DEAD,” he triumphantly repeated at the end.