“Viewing the creation of The Most Incredible Thing on Mr. Peck’s and Mr. Dzama’s Instagram feeds offers a new way of engaging with dance and contemporary art. I began to wonder how much more they and the dancers are asked to account for themselves and their work in fixed forms. Documenting ballet has always been a tricky proposition. By translating dance into writings, interviews, recordings, and critical essays, you understand how ephemeral the medium is.”