What Makes A Play Great? And Why Don’t We Revive More Great Plays?

Michael Feingold: “I had better try to explain what I mean by greatness. It isn’t simply a matter of choosing a big ponderous theme, and spouting a lot of abstractions that will make academics write learned articles about your work. Nor is it a matter of an old play’s having survived long enough to become a ‘classic,’ a term we use far too loosely.”