“There was, on occasion, an unwarranted backlash against the conceptual extravagance of Hadid’s practice and force of her personality that continued unabated throughout her life, but many of her relentless critics and detractors missed the essence of the work: a celebration of nature mated to technology, an all-encompassing way of life as lived by Zaha herself—an ascetic aesthetic, a rare notion in such a materially obsessed world.”