“It occurred to me, watching Jones move, that, like all great attempts at artistic expression, his art manages to model compassion for the spectator — to make us feel what it’s like to be dealing with an intense feeling not our own, but one that becomes ours to deal with. When we add in the way in which Jones’s mind and body are changing, the dances themselves take on a new sort of vulnerability, a new riskiness far from the formalism of the ’70s.”