‘Opera Companies Should Just Bite The Bullet And Start To Use Amplification,’ Argues One Maestro

Conductor and radio presenter Guy Noble: “The houses are too big for many of the voices to cut through and as a consequence audiences are leaving with a less than exciting experience. Amplification is seen as such a dirty word. … I sincerely hope that opera doesn’t disappear in a puff of purist smoke. And if it does, might we not even be able to hear it?”