From Sophocles through Roman spectacles and the Théâtre du Grand-Guignol to Sarah Kane, a look at the means – decorous, horrifying, inventive – playwrights, directors and stage managers have used to depict characters’ ends.
From Sophocles through Roman spectacles and the Théâtre du Grand-Guignol to Sarah Kane, a look at the means – decorous, horrifying, inventive – playwrights, directors and stage managers have used to depict characters’ ends.