“Terence Rattigan, England’s master of the well-made play, predicted back in the ’50s that younger playgoers conditioned by movies and TV would eventually start to chafe at the three-hour-two-intermission running time that was then the theatrical norm.” Terry Teachout praises the trend toward shorter, no-intermission plays, and suggests that we should feel free to make cuts in longer works by the likes of Eugene O’Neill and Richard Wagner.