“Why Noh? Why now? No (Noh) why. Noh is indirect drama, better suited for posing questions than, like Ibsen or Arthur Miller, positing answers. If we did know why, we wouldn’t need Noh, and clearly, we do.”
“Why Noh? Why now? No (Noh) why. Noh is indirect drama, better suited for posing questions than, like Ibsen or Arthur Miller, positing answers. If we did know why, we wouldn’t need Noh, and clearly, we do.”