Mark Swed: “Last week there happened to be something remarkable: two different (and they couldn’t have been more different) performances of Handel’s oratorio oriented around the one percent – the top and bottom one percent, that is.”
Mark Swed: “Last week there happened to be something remarkable: two different (and they couldn’t have been more different) performances of Handel’s oratorio oriented around the one percent – the top and bottom one percent, that is.”