“It’s no longer controversial to give other authors a share in Shakespeare’s plays—not because he was a front for an aristocrat, as conspiracy theorists since the Victorian era have proposed, but because scholars have come to recognize that writing a play in the sixteenth century was a bit like writing a screenplay today, with many hands revising a company’s product. The New Oxford Shakespeare claims that its algorithms can tease out the work of individual hands—a possibility, although there are reasons to challenge its computational methods.”