“My small town was in what I call a new play desert. If you were a playwright, the closest market for your new play was a few workshop opportunities forty-five minutes away in the next city. There was a regional theatre, a theatre department at the local university, and a community theatre, but none of them were very open to producing or even reading new plays. After taking two playwriting classes at my alma mater, I found myself surrounded by ten or so students that had caught the writing bug with no outlet left to develop their plays once the semester was over. So I took it upon myself to provide that outlet for them and myself. I stepped out of the theatre “dojo” to provide an oasis in the middle of this desert.”