“At the same time as she was becoming more difficult, she was also becoming more accessible. Part of Judson Dance Theatre’s deglamourization program was a refusal, by most of the choreographers, most of the time, to use conventional music, sets, or costumes. But Brown eventually put music back in, and while she often said that she did so because she got tired of hearing the audience cough, it cannot have escaped her notice that most spectators prefer dances set to music.”