“Chris Dercon’s plans for the theater — which mark a distinct shift toward interdisciplinary work and international artists — have garnered criticism since his appointment. A Belgian-born curator, he most recently ran the Tate Modern, where he helped oversee a major expansion into a new building. Mr. Dercon’s close ties to the market-driven British art world have raised eyebrows among those who see his background as a strange fit for a theater that relies largely on public funding and has a long, anti-establishment political tradition.”