It says a lot that the sales of such painfully prescient dystopias as 1984 have increased since November 9, 2016. It says even more that “Moonlight,” an indie with no stars about a gay, black drug dealer, found an enormous audience and enormous accolades at the beginning of this year. More than junkfood entertainment, we need “beautiful resistance,” as I’ve come to call the art that engages us in social justice concerns, human compassion, and values of love, courage, and dissent. We need art that reminds us that the “human condition” encompasses all humans – not just the white, male, straight faces belonging to the people who currently hold most of the highest offices of our government.