Books such as Edgar Lee Masters’s “Spoon River Anthology,” Sherwood Anderson’s “Winesburg, Ohio” and Sinclair Lewis’s “Main Street” quickly exemplified what has been called “the revolt from the village.” City slickers like H.L. Mencken and magazines such as the New Yorker further ridiculed the Midwest as a backward, second-class culture of yokels and rednecks who lacked a dedication to the intellect, let alone sensitivity to the arts.