“When your instruments are human beings, is there a limit to how far you should go? Five choreographers open up about where” – and when and why – “they draw the line.” (Elizabeth Streb’s answer is, of course, that she doesn’t.)
“When your instruments are human beings, is there a limit to how far you should go? Five choreographers open up about where” – and when and why – “they draw the line.” (Elizabeth Streb’s answer is, of course, that she doesn’t.)