“On one level, the corporate corruption of the arts is obvious. There is inevitably pressure on stage companies to police what political dramas (if any) they will or will not stage. (Seen any plays that question the value of the unfettered free market lately?) But the corruption also takes a subtler, more soul-destroying form, which is being ignored or minimized. For example, mainstream commentators are, as usual, missing the more insidious point of the Julius Caesar fracas, wallowing in the surface issues, content to indulge in silly finger-pointing and self-serving postures of defiance.”