“Digital broadcasts of dance generally fall into two categories: behind-the-scenes glimpses into rehearsals, like those offered by ballet companies around the globe on World Ballet Day, and live streams of in-demand theatrical performances, like those presented by the Guggenheim for its Works & Process performance series. In these latter cases, the broadcast usually supplements the live event; even without people tuning in remotely, the show would go on. “Marfa Dance Episodes,” directed by Benjamin Millepied, with choreography by him as well as several company members, differ in that the broadcast itself was the event; the series was created exclusively for an online audience, and the episodes, ranging from about seven to twenty minutes, were choreographed for—and with—the camera.”