“The increasingly fraught and emotional dialogue pits the progressive ideals of inclusion not just against historical business practices but also the definition of acting itself. If a role is written for a particular ethnicity, sexual identity, gender or disability, how far should the creative community go to find an actor who checks that particular box? And should the fact that many traditionally marginalized groups are fighting for better representation be taken into consideration? Who has the right to tell what stories? And who gets to make that decision?”