Basically, the problem is money. “The Houston theater scene knew and respected the couple, and critics generally adored the work they did. But a few years in, and after receiving grants to form the company, Lehl and Tobin-Lehl realized that there was no system in place for 4th Wall to grow. Billing themselves as champions of artists, their plea for more support – enough to pay a small, full-time administrative staff – fell on silent ears.”