“Looking for years for land art that utilizes the environment as complexly as artists have long done with their subjects through paint (even using paint as a subject), I’ve come up largely disappointed. Land artworks are typically aesthetic interventions forced onto the environment by artists with little to no deep understanding (geologic, ecologic, botanic, etc.) of the materials they are using. Instead, artists who make these works favor aesthetic, surface-level intervention, which documents well for exhibition and (hopefully) sale later, upon return to an art-world setting, be it via a gallery or a coffee table book. Where is the communion with the land’s complexity?”