Silvestre Revueltas “wasn’t exactly a nationalist; folk music didn’t much interest him. He did, however, relish the popular idioms of his land. His music may call to mind Stravinsky at certain times, Mahler at others, as well as Bartók and Edgard Varèse, yet pulsing through its pages are the soulful sounds of the bands playing across the Mexican countryside, in villages and on ranches. This isn’t fusion so much as it is a celebration of both high and low, the refined and the rustic. What makes his body of work all the more astonishing is that Revueltas largely produced it during one turbulent decade – the final 10 years of his life.”