Post-genre thinking seeks to move away from objective methods of characterizing music, instead focusing on a more subjective method within which music is viewed piece by piece with an emphasis on the intention and background of the composer. If a composer has no intent of writing within the “classical” genre label, then attempting to understand the piece through a classical lens is irrelevant. But what about the listener? There is no doubt that all listeners have pre-existing connotations surrounding certain types of sounds. Realistically, because we have discussed music in terms of these genre constructions for so long, a listener’s experience is likely to naturally include elements of: “This moment in this piece of music reminds me of X genre, which makes me think of Y connotation.”