“The images spread as they do because, taken together, they can seem to reveal hidden truths about a president who remains, for all his spotlighting and swaggering, a cipher. This is an era, after all, in which the American public, primed with Making a Murderer and American Crime Story and NCIS, embraces forensic analysis as a form of entertainment. In that context, each new image of the president, and each image of the people and things surrounding him, takes on not only the quality of art—provocative, illustrative, asking to be analyzed—but also the quality of a mystery.”