Richard Overy points out where Armando Ianucci’s new The Death of Stalin gets the history wrong but allows that cinematic license could be legitimate. But the caricature, he writes, is just wrong, and not only because Stalin’s victims deserve better: “The presentation of Stalin and his cronies as a collection of foul-mouthed misfits … will certainly not help to understand the Russia of the 1950s while it mocks by implication the Russia of today, a country still shaped in some ways by the legacy of Stalin’s modernisation drives and the operation of the Stalinist state.”