“No other modern-day leader has used the myth-making power of architecture to construct a sense of national identity like Nazarbayev,” says Frank Albo, author of a new book on the Kazakh capital, Astana: Architecture, Myth and Destiny. “What you see here is a blend of postmodernism, Central Asian art, Islamic decor, Russian baroque, neoclassicism, orientalism, all melded into something that looks like Las Vegas meets Disneyland on nationalist steroids.” In a bid to cast off the shackles of the Soviet era, the president has embraced practically everything else.