Alexandra Lange makes the case that the MoIC, which opened in Manhattan a year ago last summer, actually functions as a playground. The problem is that, by intent or not, it has become a phenomenon like Yayoi Kusama’s Infinity Rooms.
Alexandra Lange makes the case that the MoIC, which opened in Manhattan a year ago last summer, actually functions as a playground. The problem is that, by intent or not, it has become a phenomenon like Yayoi Kusama’s Infinity Rooms.