The Changing Role Of Movie Art Houses

What has changed, then, is not much the opportunity to see good films but the way they are packaged. In brief, we have gone from a time in the Sixties when the emphasis was placed on making a more or less agreed-upon canon available to the novice film buff, to a smorgasbord of “edgy” hors d’oeuvres and a neglect of the meat-and-potatoes classics.