“Now, Levine will become a convenient scapegoat, and institutions will race to condemn him with prurient finger-wagging, piling on almost gleefully in their eagerness to aver that they will never, ever, not ever work with him again. Meanwhile, orchestras and opera houses and conservatories and choruses all across the country continue to harbor and protect leaders who egregiously abuse their power, who harass musicians who can’t speak up, who assault and rape in the self-satisfied knowledge that they can get away with it.”