Danez Smith’s poetry is part of a movement, or so it feels. “This is a significant moment for poetry. We are meeting days after Ocean Vuong (gay, Vietnamese and a friend of Smith’s) won the TS Eliot prize, and it is tempting to think poetry is at a turning point, belatedly diversifying, relaxing its borders. The reality is that there is still a long way to go, but this is a flicker of intent, the poetic ghettoising becoming less flagrant. It’s a mainstream momentum.”