Some observers see Molesworth’s ouster as symptomatic of a struggle between her progressive ideals and the status quo, epitomized by Vergne who curated three shows of white male artists — Carl Andre, Matthew Barney, and Doug Aitken — since arriving.
Some observers see Molesworth’s ouster as symptomatic of a struggle between her progressive ideals and the status quo, epitomized by Vergne who curated three shows of white male artists — Carl Andre, Matthew Barney, and Doug Aitken — since arriving.