‘We Wanted To See If It Was Possible To Stage A Mind’ – Choreographer Crystal Pite On Her ‘Betroffenheit’

“We wanted … to figure out how to use the whole space of the stage to create an image of an injured mind. After that initial impulse, we tried to take a personal story of loss and trauma and make it universal, to zoom outwards and ask some big questions about what suffering is, what it means and how one survives something like that. … In German, the title means to be stopped or struck by something that leaves you in a kind of shock or speechlessness, an inability to respond or express anything in words. So that word became emblematic for us.”