‘Dr. Strangelove In Space’: Explaining Stanley Kubrick’s Inexplicable ‘2001: A Space Odyssey’

“Look at the similarities: the Cold War secrecy between the US and Russia, the boardrooms packed with middle-aged men in suits, the supposedly infallible machine which is intent on slaughtering the people who built it. … And look at the convictions which underpin both works: that humans are intrinsically, self-destructively violent, and that anyone who believes himself to be 100% right is probably a dangerous maniac. It may be going too far to call 2001 a cynical political comedy, but if Kubrick hadn’t wanted us to laugh, … he wouldn’t have had a chapter entitled The Dawn of Man, in which man, having dawned, bashes another man’s brains out with a club.”