“As a system, art fairs are like America: They’re broken and no one knows how to fix them. Like America, they also benefit those at very top more than anyone else, and this gap is only growing. Like America, the art world is preoccupied by spectacle – which means nonstop art fairs, biennials, and other blowouts. … This art-fair industrial complex makes it next to impossible for any medium/small gallery to take a chance on bringing unknown or lower-priced artists to art fairs without risking major financial losses. Meanwhile high-end galleries clean up without showing much, if anything, that’s risky or innovative.”