While in the new millennium the quality of French intellectual life has plummeted, its reputation remains. Shlomo Sand bracingly compares media-friendly intellectuals such as Houellebecq, Éric Zemmour and Alain Finkielkraut to Nazi-collaborating writers such as Robert Brasillach and Pierre Drieu La Rochelle. Like such past figures, Sand argues, they cling to a France that is “totally imaginary” and yearn for it to be purified of the Other. In 1940 that meant Jews, in 2018 Islam.