“Morley is often discussed in relation to the Photorealist movement, which sought to strip any sense of authorship from the act of painting through the creation of carefully worked images that mirror their photographic sources. However, Morley said he preferred the term ‘super-realist’ to describe his work, because it aligned it with Suprematism, the early 20th-century Russian avant-garde that sought to distill painting to its most basic forms.”