In America, nothing sucks the oxygen out of the room with more deadly force than financial success. Musicals are booming, so that is where all the attention and money is streaming, a sweet spot that magically unites commerce, branding, and universities. This is not to say there have not been terrific songfests over the past 25 years. Just that it explains why our most talented stage practitioners are not writing plays, but working hard at scoring with the latest lucrative singing/dancing sensation.