“Although representatives of first-rank Israeli companies, such as the Cameri Theatre of Tel Aviv, argue that their organizations do not shy away from controversial work, American artistic directors whose companies have become havens for marginalized Israeli playwrights say otherwise. Groups such as [Boston’s] Israeli Stage and, even more prominently, Mosaic Theater Company in Washington consider themselves outposts for Israeli dramatists who find it increasingly hard to get a hearing in Israel for their most political works.”