Surveying the biennial circuit, the obvious conclusion is yes, the international art world is too elitist. For all the rhetorical emphasis on engaging local communities, histories, and cultures, it is populated by globetrotting curators, artists, critics, and patrons who temporarily parachute into various settings – the more obscure the better – and pat themselves on the back for their (our) worldliness and commitment to diverse publics while mostly talking to people they (we) already know. Occasionally this can tip over into outright black comedy.