Melissa Gronlund: “Critics, this thinking runs, need to hold artists’ feet to the fire. Now, I would love for a more ambitious art world to emerge, but I’m not sure more stringent criticism is the means towards it. If anything, the answer is art education: better educated people make better art and provide better critiques. And, sadly for myself, I don’t think criticism still wields that much power. … Everyone knows artists do better to curry favour among biennale organisers than among those of us who tromp along to the openings, notebooks in hand.”