Bayreuth’s First American Director Gives A Wagner Opera A Feminist – And Maybe Sort Of Happy – Ending

Or was it more ambiguous? Director and MacArthur genius grant recipient Yuval Sharon: “All of these various ideas resonate with each other, or clash with each other, or sometimes don’t get told all the way to the end. … I love things that aren’t closed, because then the audience has such power and freedom to discover things for themselves.”