In tune with her socialist politics, she created art for, and with, the people – but she also “revolutionised the field, shocking many studio potter colleagues, by evolving glazes of great richness and depth of colour to adorn reduction-fired stoneware; painting, sponging and slip-trailing complex semi-abstract decorative schema on bold simplified shapes; using piscatorial and amphibian casts as handles and knops; and taking inspiration from the ceramics of the Middle East, from the capricious mannerist Bernard Palissy, and from European rococo earthenware and porcelain and 19th century art pottery.” Whew.