Critics raved, and lines stretched around the block, when The Joy Luck Club opened in 1993. The actors and director started to receive offers – and they thought the long drought of good movies and roles for Asians and Asian Americans in Hollywood was coming to an end. But “roadblocks proved shockingly resilient. Instead of ushering in a crop of Asian-American projects, The Joy Luck Club remained a token for more than two decades.” Will Crazy Rich Asians be different?