Taking Your Play From MFA Shape To Off-Broadway Can Require More Than A Few Complete Rewrites

Ming Peiffer says that the moment she realized she needed to stop writing for others and start writing her own truth changed her play Usual Girls extensively. “I recoiled from the original play that I was writing, and [a new version] almost just spewed out. … Even as I realized that I was going to some very deep, dark, and uncomfortable places, by that point I was already going — there was an energy attached to it that I didn’t want to stop.”