It’s not just the election of Jair Bolsonaro (though that’s the tipping point); it’s the growing stridency of his conservative, and especially Evangelical, base, who (egged on by rumors and distortions on social media) have begun denouncing the work of some experimental artists and cultural figures as blasphemy or pedophilia. Some of those artists, facing death threats and not trusting the new government to protect them, are leaving the country.