A photographer in Durham, NC, in the early 1900s used a camera that allowed multiple, distinct pictures on one plate-glass negative. And the results are surprising. “Mangum’s glass plate negatives tell a nuanced account of this history, one that affords more agency to people of color than the average textbook. One example of this disruption is the photographic evidence that Mangum did not discriminate in the way he had his sitters pose for the camera. These poses can be seen across all clients, each experiencing a typical session.” – NPR