Mark Wigglesworth wants to make “opera accessible to all” and “all”, by definition, includes riff-raff. He sees this as the ENO’s mission. “Accessibility,” he writes, “is not really about the price of a ticket. For accessibility to be meaningful and long lasting it has to come from the work itself… When Mozart wanted to write for ‘the people’ he did so in their native German. He trusted that if more people understood the piece, more would enjoy it.” – The Guardian (UK)