“Should metal stay dangerous and controversial and offensive? Is it censorship to deny bands a platform for their genocidal views? Is it curtailing their free speech to make it harder for a band to get booked or get signed versus at what point does it become critical to keep these dangerous Fascist elements out of our scene? At what point is that record worth so much to you that you would buy it knowing that you were actively contributing to something that is harming other people?” – The New Yorker